Curriculum Vitae

Pamela Z 
composer/performer/media artist
[email protected]
www.pamelaz.com
(send email to obtain postal address and phone numbers)

Pamela Z has created a voluminous body of work spanning a broad range of disciplines and approaches including solo works for voice and electronics, large-scale inter-media performance works, chamber and choral works, fixed media sound and video works, and installations. These works have been presented in concert halls, theaters, and gallery exhibition spaces world-wide.

Education

Bachelor of Music (1978) in vocal music and education at the University of Colorado at Boulder, voice with John Paton

Selected Advanced Study:

2009
Moving Image Media Artist workshop at 3LD (New York)

2004
MAX MSP & Jitter at CNMAT (Berkeley, CA)

1999
Butoh with Kazuo OHNO and Yoshito OHNO (Yokohama)
Japanese language at Kanda Gaigo College (Tokyo)
Noh at Kita Ryu with Richard Emmert (Tokyo)

Languages Studied:

French, Japanese, Italian

Grants and Awards

2022

Foundation for Contemporary Arts Dorothea Tanning Award

San Francisco Girls Chorus Elizabeth Appling Arts Champion Award

The Eugene McDermott Award in the Arts at MIT

2021

San Francisco Art Commission SF Artist Grant for Simultaneous

ASCAP Plus Award

Third Coast International Audio Festival Richard H. Driehaus Foundation Award

2020

United States Artists Fellowship

American Academy of Arts and Letters: Walter Hinrichsen Award in Music

ASCAP Plus Award

2019

Rome Prize Fellow of the American Academy in Rome (2019/20 The Frederic A. Juilliard/Walter Damrosch Rome Prize)

ASCAP Plus Award

New Music USA composing commission for Presence for Stenberg/Cahill duo

New Music USA composing commission for Nadia Shpachenko’s Goat Project

2018

ASCAP Plus Award

2017

New Music USA for composing the score for Stephan Koplowitz’ Occupy for Axis Dance Company

2016

San Francisco Art Commission OPG Grant for Attention

SEAMUS (Society for Electro-Acoustic Music in the US) Lifetime Acheivement Award

ASCAP Plus Award

San Francisco Art Commission Individual Artist Commission Grant for Pascal’s Triangle

2015

Doris Duke Artist Impact Award

ASCAP Plus Award

Zellerbach Family Foundation for Memory Trace

2014

American Composers Forum McKnight Visiting Artist Fellowship

San Francisco Friends of Chamber Music, Musical Grant Program for recording Carbon Song Cycle

ASCAP Plus Award

CEC Artslink for collaboration with Turkish artist Nihan Devecioglu

CCI Investing In Artists for Memory Trace

2013

San Francisco Art Commission Individual Artist Commissioning Grant for Memory Trace

Wallace Alexander Gerbode for Span

ASCAP Plus Award

2012

MAP Fund for Carbon Song Cycle (with collaborator Christina McPhee)

ASCAP Plus Award

New Music USA’s Commissioning Music USA for Carbon Song Cycle

Creative Work Fund with Kronos Quartet for Kronos Commission

2011

United States Artists Projects, Crowd-funding for Baggage Allowance interactive web-based artwork

CCI Grant for improving recording studio

The Dale Djerassi Fellowship in recognition of a 2010 Djerrassi Artist Residency

LEF Foundation grant for for Baggage Allowance interactive web-based art work

ASCAP Plus Award

2010

San Francisco Art Commission for Memory Trace

Zellerbach Family Foundation support for the Room Series

ASCAP Plus Award

2009

MAP Fund for Baggage Allowance

ASCAP Plus Award

2008

University of Colorado Boulder, CO, College of Music Alumna of the Year

Creative Work Fund with BAVC, San Francisco, CA for Baggage Allowance

American Composer’s Forum Subito Grant for Baggage Allowance

Prixars Electronica, Linz Austria, Honorable Mention in Digital Musics Category

ASCAP Plus Award

2007

Zellerbach Family Foundation project and artist support

ASCAP Plus Award

2006

San Francisco Art Commission Individual Artist Grant for The Pendulum

ASCAP Plus Award

2005

NEA and Irvine Foundation Support for Wunderkabinet

ASCAP Plus Award

American Composer’s Forum Subito Grant for Metal/Vox/Water

2004

Guggenheim Fellowship

Zellerbach Family Foundation project and artist support

ASCAP Plus Award

2003

ASCAP Plus Award

2002

Creative Capital Grant for Voci

ASCAP Plus Award

San Francisco Art Commission Individual Artist Commission Grant

Zellerbach Family Foundation project and artist support

2001

Tryon/McColl Center for Visual Art (Charlotte, NC) Artist Fellowship

ASCAP Music Award

CAC Artist Residencies for SoundWork workshops at The LAB

2000-04

California Arts Council Touring Artists Initiative Grant

2000

ASCAP Music Award

1999

San Francisco Art Commission Individual Artist Commission

1998

CalArts Alpert Award in the Arts for Music

Japan-US Friendship Commission/NEA Fellowship (6 months in Tokyo)

San Francisco Bay Guardian “Goldie” Award

LEF Foundation Support for Parts of Speech

McKnight/American Composer’s Forum Visiting Composer Fellowship

1997

San Francisco Art Commission Individual Artist Commission Grant

1995

Minnesota (now American) Composer’s Forum grant for Correspondence at LACE

Xerox PARC PAIR (PARC Artist In Residence) program

1994-98

CAC Artist Residencies for SoundWork workshops at The LAB

1994

San Francisco Art Commission Individual Artist Commission Grant

1993-99

California Arts Council Touring Artists Initiative Grant

Meet the Composer Grants for appearances throughout the US

1992

New Langton Arts Artist Projects Grant to develop Parts of Speech

1991

Zellerbach Family Foundation project and artist support

LEF Foundation Support for Z Program V

Selected Performance History

Pamela Z’s solo performances and commissioned ensemble works have been presented at domestic and international concert venues and festivals including:

Alice Tully Hall (New York, NY) • Approximation Festival (Dusseldorf, Germany) • APOSITSIA Festival (St. Petersburg, Russia) • Ars Electronica (Linz, Austria) • The Art Institute of Chicago (Chicago, IL) • Auditorium Parco della Musica (Rome, Italy) • Bang On A Can Long Play Festival (Brooklyn, NY) • Berkeley Art Museum Pacific Film Archive (Berkeley, CA) • La Biennale di Venezia (Venice, Italy) • Brooklyn Academy of Music (Brooklyn, NY) • Center for New Music (SF, CA) • CNMAT (Berkeley, CA) • Constellation (Chicago, IL) • DAK’ART (Dakar, Senigal) • David Ireland House (SF, CA) • Davies Symphony Hall (San Francisco, CA) • Dock 11 (Berlin, Germany)  • Dokkhusett (Trondheim, Norway) • Elbphilharmonie (Hamburg, Germany) • Experimental Sound Studio (Chicago, IL) • Fylkingen (Stockholm, Sweden) • Garden of Memory at Chapel of the Chimes (Oakland, CA) • Interlink Festival (Tokyo, Kyoto, Kobe, and Sapporo, Japan) • Issue Project Room (New York, NY) • Jardins de la Casa de la Misericòrdia (Barcelona, Spain) • The Juilliard School (NYC) • The Kitchen (New York, NY) • The Knitting Factory East (New York, NY) • The LAB (San Francisco, CA) • Lincoln Center David Rubenstein Atrium (New York, NY) • Los Angeles County Museum of Art (LA, CA) • MASS MoCA (North Adams, MA) • MAXXI Museum (Rome, Italy) • Melahuset (Oslo, Norway) • Merkin Hall (NY) • The MET Breuer (New York, NY) • MIAM Center for advanced Studies in Music (Istanbul Turkey) • MIT Media Lab (Cambridge MA) • MMR McGill University, (Montreal, QC) • Museo Nacional Centro de Arte Reina, Madrid, Spain • New Langton Arts, San Francisco, CA • Nief Norf Festival (Knoxville TN) • On the Boards (Seattle, WA) • Other Minds Festival (SF, CA) • Rewire Festival (The Hague, The Netherlands) • Roulette (New York, NY) • Sala Vanni (Florence, Italy) • San Francisco Arts Commission Gallery (SF, CA) • San Francisco Electronic Music Festival (SF) •  San Francisco Symphony’s SoundBox (San Francisco, CA) • Savvy Contemporary (Berlin, Germany) • Sons d’Hiver Festival (Paris, France) • Steim (Amsterdam) • The Stone (NY) • St. Petersburg Museum of Fine Art (FL) • TimeSpans Festival, Dimenna Center (New York, NY) • Trafo House of Contemporary Arts (Budapest Hungary) • Vega Scene (Oslo, Norway) • Walt Disney Concert Hall (Los Angeles, CA) • Yerba Buena Center for the Arts (SF, CA) • Z Space @ Project Artaud (San Francisco, CA) • Zellerbach Playhouse (Berkeley, CA)

(For a complete archive of Pamela Z’s performance history, visit http://pamelaz.com/events)

Solo Exhibitions

2019

Savvy Contemporary: Solo exhibition of five installation works (May 2019)

TEKS Elektroniske Kunstsenters: Sonic Gestures (April 2019)

2013

Bowling Green State University Fine Art Galleries: Baggage Allowance

2012

Arc Gallery Project Space: Memory Trace

2010

Krannert Art Museum: Baggage Allowance

2009

Chico University Art Gallery: Parts of Speech

2007

Recombinant Media Labs: Sonic Gestures

Group Exhibitions

2021

TimeSpans Festival, EMPAC Wave Field Synthesis at the Dimenna Center, Sonant Topography (New York, NY)

2020

The American Academy in Rome :Sonora Spolia shown in the Cique Mostre exhibition (Rome, Italy)

2019

San Francisco Art Commission Gallery:Suitcase shown in the side by side/in the world exhibition (San Francisco, CA 2019)

2016

The Exploratorium: Suitcase shown in the “After Dark Extended Cinemas” exhibition (San

Francisco, CA 2016)

2014

SOMArts Gallery: La Reproduction Interdite and Suitcase (San Francisco, CA)

2012

McColl Center for Visual Art: Suitcase, Baggage Allowance (single-channel), and Fount

2006

Recombinant Media Labs: SFEMF exhibition Metal/Voice

2005

Tang Museum sound installation: Lift (Saratoga Springs, NY)

Hellenic Museum Art of Artist Statement exhibition Declaratives in the First Person (Chicago)

2004, 2003, 2002

The LAB Gallery Annual Art Auction sound works (San Francisco, CA)

2004

The Kitchen: New Sound New York Morrow Cube Sound Syrinx (New York)

La Biennale de l’art africain contemporain DAK’ART Just Dust (Dakar, Senigal)

The Design Center Sound Migrations Syrinx four-channel version (Los Angeles, CA)

2002

San Jose Museum of Art Parallels and Intersections: Art/Women/California Gallery screening of performance works, (San Jose, CA)

CCA Gallery CCA Fall Faculty Exhibition Geekspeak, 2-channel sound work (Oakland)

2001

List Visual Art Center, MIT Race in Digital Space Regular Verbs 2-channel sound installation (Cambridge, MA)

Whitney Museum of American Art Bitstreams Geekspeak (New York)

Tryon Center for Visual Art (now McColl), Resident Artists Exhibition gallery screening of performance works (Charlotte, NC)

2000

Whitney Museum of American Art I am sitting in a room Geekspeak (New York)

Erzbischöfliches Diözesanmuseum “Walkmen” Exhibition And on Your Left… (Cologne, Germany)

 

Works and Commissions

SELECTED SHORT WORKS FOR SOLO VOICE & ELECTRONICS

Other Rooms (2018), Quatre Couches (2015), Pool (from Memory Trace 2015), Breathing (from Carbon Song Cycle 2014),  Unknown Person (from Baggage Allowance 2010), Flare Stains (2010), Sixteen Actions (2009), Broom (2008), Declaratives (2005), Syrinx (2005), Typewriter (2003), Gradual Quartet (2003), Birdvoice (2003), Metal/Vox/Water (2001), The MUNI Section (1995), Bone Music (1992), In Tymes of Olde (1991), Badagada (1988), In The Other World (1986), Pop Titles ‘You’ (1986), Pearls, The Gem of the Sea (1984), Echolocation (1984)

(For a complete list of solo voice & electronics works, visit http://pamelaz.com/works )

 

INTERMEDIA PERFORMANCE WORKS

2017

Correspondence Ring Theater, Wesleyan University, Middletown, CT

Pascal’s Triangle (co-created with Donald Swearengen, Royce Gallery, San Francisco, CA

2016

Memory Trace Yerba Buena Center for the Arts, San Francisco, CA workshopped on ROOM Series presents, Royce Gallery, San Francisco, CA, 2015

2015

Memory Trace ROOM Series presents, Royce Gallery, San Francisco, CA

Span with visual artist Carole Kim, Premiered Southside Theater, Fort Mason Center, San Francisco, CA

2013

Carbon Song Cycle New Music Bay Area, premiered Berkeley Art Museum/Pacific Film Archive, Berkeley, CA

2011

Memory Trace Performance version Premiered Montalvo Arts Center, Saratoga, CA

2010

Baggage Allowance Premiered Z Space @ Theater Artaud, San Francisco, CA

2007

The Pendulum solo intermedia performance work, premiered Third Coast International Audio Festival, Chicago, IL

2005

Wunderkabinet one-act intermedia chamber opera, co-composed with Matthew Brubeck, commissioned by The LAB, premiered at The LAB, San Francisco, CA (Co-composed with Matthew Brubeck with video by Christina McPhee)

2003

Voci solo intermedia performance work, premiered ODC Theater, San Francisco

2001

Gaijin interdisciplinary performance work for voice, electronics, video, and three butoh dancers, premiered Theater Artaud, San Francisco

1996

Mona Lisa Japan Interlink Festival, joint commission w/ Laetitia Sonami, Donald Swearingen, and Japanese video artists “Visual Brains” premiered Sogetsu Hall, Tokyo

1995

Parts of Speech intermedia performance work (voice & electronics and projected media), premiered Theater Artaud, San Francsico, CA

Correspondence The American Composer’s Forum joint commission with 77Hz. Premiered at LACE, Los Angeles, CA

 

CHAMBER WORKS

2022

Donna, sola, abbandonata in questo popoloso deserto for sinfonietta, commissioned by Bang On A Can and the Brooklyn Academy of Music, based on Ornette Coleman’s Lonely Woman.

Only If It’s Asked For for vibraphone and tape, commissioned by The Vibraphone Project (for the instrument’s centenary)

Quilt for mezzo soprano, string orchestra, percussion, and tape, commissioned by the San

Francisco Symphony and Julia Bullock (for the History’s Persistent Voice project)

2021

Ink commissioned by Volti for virtual chamber chorus, premiered 2020 (streaming)

Latency for percussion and piano, commissioned by Eighth Blackbird, premiered 2021, Mellennium Park, Chicago, IL

Sugar for solo piano and tape, commissioned by Sugar Vendil, premiered 2021, Met Museum Balcony Series, NY

Balòn for solo piano, voice & electronics, and tape, commissioned by Nadia Shpachenko, for her GOAT project

Silent H for chamber ensemble with solo flautist/vocalist, commissioned by LA Philharmonic for Nathalie Joachim, premiered January 2022 at Walt Disney Hall, LA

Gioia for string quartet and speaking voices, commissioned by Del Sol Quartet for their Joy Project

Summons for woodwind quintet and tape, commissioned by Yale University

2020

And and And for solo cello and tape, commissioned by Amanda Gookin, premiered 2020 Park Avenue Armory, New York, NY

2019

Ways of Looking Eighth Blackbird, premiered 2019 Disney Hall, Los Angeles, CA

Heiligenstadt Lament for chamber orchestra, commissioned by San Francisco Conservatory of Music, premiered 2019 SF, CA

The Unraveling for string quartet, voice, live processing, and tape, commissioned by Apollo

Chamber Players, premiered 2019 MATCH Houston, CA

Louder Warmer Denser for flute and tape, commissioned by Claire Chase for her “Density 2036″  project, premiered 2019 The Kitchen, New York, CA

2018

Pen Pal for treble chorus and tape, commissioned by San Francisco Girls Chorus, premiered 2018 Herbst Theater, SF, CA

2016

Attention for string quartet, fixed media, and mobile devices, commissioned by Del Sol Quartet, premiered 2016 The Exploratorium Kanbar Forum, San Francisco, CA

2014

17 Reasons Why commissioned by Paul Dresher Ensemble and Amy X Neuburg, premiered 2018, Zellerbach Hall, SF, CA

2012

And the Movement of the Tongue for string quartet and tape, commissioned by Kronos Quartet, premiered 2013 Yerba Buena Center for the Arts, San Francisco, CA

2008

Twenty Answers for chamber ensemble and magic 8-balls, commissioned Empyrean Ensemble, premiered UC Davis, CA

2005

Ethel Dreams of Temporal Disturbances for string quartet and tape, commissioned by Ethel quartet, premiered Krannert Arts Center, IL

2003

Four Movements for Cello & Delays for solo cello and live processing, commissioned by Orchestra of St. Luke’s, premiered DIA Center, NY

2001

Persistence for chamber ensemble with voice & electronics, commissioned by Left Coast Chamber Ensemble, premiered Yerba Buena Center, San Francisco, CA

1998

The Schmetterling Bang On A Can People’s Commissioning Fund, Premiered Knitting Factory, NY

Shifting Conditions in the Southland Commissioned by the California E.A.R. Unit, Premiered LACMA, Los Angeles, CA

Layers commissioned by Mrs. Ralph I. Dorfmann, co-composed w/ Lukas Ligeti. Premiered The LAB, San Francisco, CA

 

DANCE SCORES

2023

If I Give... Jo Kreiter, Flyaway Productions

2019

The Wait Room Jo Kreiter, Flyaway Productions, premiered 2019, San Francisco, CA

2017

Occupy Stephan Koplowitz and AXIS Dance, premiered 2017 Yerba Buena Center, San Francisco, CA

2014

Multiple Mary Invisible Jane Jo Kreiter, Flyaway Productions, premiered Hastings Law College wall, San Francisco, CA

2012

Fantasia upon a moment… Mary Armentrout Dance Theater, premiered at Z Space, San Francisco, CA

Reveries and Elegies Mary Armentrout Dance Theater, premiered at Milkbar, Oakland, CA

2011

Sympathetic Jo Kreiter, Flyaway Productions, premiered San Francisco, CA

2010

The Woman Invisible to Herself Mary Armentrout Dance Theater, premieredat Milkbar, Oakland, CA

2009

Waving Not Drowning Brenda Way, ODC Dance, premiered Yerba Buena Center for the Arts, San Francisco, CA

2008

The Ballad of PollyAnn Jo Kreiter, Flyaway Productions, premiered SomArts, San Francisco, CA

2003

How To Be A Citizen Jo Kreiter, Flyaway Productions, a dance work honoring 100 years of protest in San Francisco, Ferry Building Plaza, San Francisco, CA

2002

Mission Wall Dances Jo Kreiter, Flyaway Productions, three-storey mural wall at Harrison and Alameda Streets. San Francisco, CA

2001

The Economics of Place Jo Kreiter, Flyaway Productions, premiered 418 Project, Santa Cruz, CA

1999

Hashi (Bridge) Maureen Freehill Butoh, Sphere Mex, Tokyo

Copra Dock Dances Jo Kreiter. Flyaway Productions, Islais Creek crane, San Francisco, CA

1996

Batman, No Robin High Risk Group, premiered The LAB, San Francisco, CA

Hoist Jo Kreiter, Flyaway Productions, premiered Brady Street Theater, San Francisco, CA

The Quivering Mass Ann Bluethenthal and Dancers, premiered ODC Performance Gallery, San Francisco, CA

1992

Outdoors in Oakland Ellen Webb Dance Company, Downtown Oakland, CA

1990

Z Songs Gary Palmer Dance Company, Theater Artaud, San Francisco

 

FILM AND VIDEO SCORES

2019

The Wait Room Dance Film score commissioned by Jo Kreiter and Flyaway Productions

2012

Fat Chance Jeanne Finley & Mel Day

2005

Lover/Other Barbara Hammer

2002

Language Lessons Jeanne Finley + John Muse

1997

O Night Without Objects Jeanne Finley + John Muse

1995

Wind Water Wings Barbara Klutinas

Tender Fictions Barbara Hammer

1993

San Francisco Arts All Over the Map Searchlight Films

1984

Diese Jugen Elena-María Bey

 

SOUND AND INSTALLATION WORKS

2021

Sonant Topography Multi-channel sound work commissioned by EMPAC, premiered 2021,

TimeSpans, NY

Times3 Sound work commissioned by HERE Arts/Beth Morrison Projects (collaboration with Geoff Sobelle)

2020

Simultaneous Fixed media sound work commissioned by DeutschlandRadio, Berlin

Sonora Spolia Premiered at American Academy in Rome, Cinque Mostre exhibitio,n Rome Rome, Italy

2014

La Reproduction Premiered at SomArts Gallery, San Francisco, CA

Memory Palace

2012

Memory Trace Premiered at ARC Project Gallery, San Francisco, CA

Fount McColl Center for Visual Art, Charlotte NC and Developing Environments, SF, CA

2010

Baggage Allowance Premiered at Krannert Museum of Art, Champain, IL

2009

Parts of Speech (installation) University Art Museum, Chico, CA

2008

Timepiece Triptych Ars Electronica, Linz, Austria

2007

Sonic Gestures NexMap, premiered Recombinant Media Labs

2005

Lift The Tang Museum, sound installation for the Elevator Music Series

2004

Just Dust Dak’Art (Dakar Biennale), sound installation for the Maison des Esclaves, Gorée Island

Syrinx The Kitchen New York NY and Pacific Design Center Los Angeles CA

2000

Live/Work Surround Sound Work Commissioned by Starkland Recordings

1995

Parts of Speech (radio piece) New American Radio/ San Francisco Arts Commission

1989

Trying to Reach You New American Radio

Discography

2023

Claire Chase: Density 2036 Part VI: 2019 Pamela Z: Louder Warmer Denser, New Focus Recordings FCR350

2021

Pamela Z: Echolocation Vinyl reissue of 1988 solo album, Freedom to Spend LP FT$-024

Pamela Z: A Secret Code (solo album) Neuma, CD 143

Apollo Chamber Players: With Malice Toward None The Unraveling (Z) for string quartet, tape, voice & electronics, Azica CD ACD-71340

2016

A Tribute to Björk’s Homogenic Jóga (Björk) UnderCover Presents CD

Below The Radar 22 Declaratives in the First Person (Z) WIRE UK

2015

American Modern Ensemble: Mavericks Declaratives in the First Person (Z) American Modern Recordings CD

2013

Vijay Iyer and Mike Ladd: Holding It Down Pamela Z: voice & electronics, and co-composer on Cleaning Up the Mess and Been There Done That, Pi Recordings CD

2012

Monk Mix Scared Song (Monk), House Foundation for the Arts CD

2008

Crosstalk Declaratives in the First Person (Z), Bridge CD

Lisle Ellis: Sucker Punch Requiem Pamela Z: voice & electronics, Oliver Lake: saxophones, George Lewis: trombone, Holly Hoffman: flutes, Mike Wofford: piano, Susie Ibarra: drums & percussion, Lisle Ellis: bass, Hencforth Records CD 616892911227

2007

Vijay Iyer and Mike Ladd: Still Life with Commentator Pamela Z: voice & electronics, lead vocal and co-composer on Mess Hall and There is a Man Slouching…, Pi Recordings CD

2006

John Cage: Postcard From Heaven Victoria Jordanova: harps, Pamela Z: voices, Arpaviva CD 001

Ethel: Light Ethel Dreams of Temporal Disturbances (Z), Cantelope CD CA20137

2005

Deep Wireless 2 Pop Titles ‘You‘ (Z) New Adventures in Sound Art CD

2004

Pamela Z: A Delay is Better solo album, Starkland, CD ST-213

Peter Kowald: Global Village Trio Mvts I, II, & III (Kowald, Gottschalk, and Z), Free Elephant CD 001

2003

Visions No. 3 (Z), Emit Series, Emit Series, CD

2001

Bitstreams Sound works from the exhibition at the Whitney Museum of American Art, Geekspeak (Z) Whitney CD

Homo Sonorus 50 for Charles Amirkhanian (Z), Kunstradio CD

2000

Immersion Live/Work (Z), Starkland DVD-audio (5.1 surround) ST-2010

1998

Emergency Music Caught (Z), CRI CD 770

1997

Scott Rosenberg IE For Large Ensemble voices, Barely Auditable CD

1996

Sonic Circuits IV Geekspeak (Z), Innova CD 113

Dice 2 Parts (Z) and Questions (Trip) (Z), Isthar CD 002

State of the Union State (Z) Atavistic CD

1993

From A to Z In Tymes of Olde (Z), and Obsession, Addiction, and the Aristotelian Curve (Z and Imhoff) Starkland CD ST-203

Dice The Qube Chix: Bald Boyfriend (Z) Isthar CD 001

1992

State (Z) Arrest CD AR 003

1991

Komotion International Vol. 11 Pearls, the Gem of the Sea (Z) Spirit Records LP, CD, CS

1987

Echolocation solo album ZED, CS

 

Voice-Over / Narration

FILM

2021

Five Thoughts about Thirty Pieces Narration for a film about John Cage and Kronos Quartet (Sam Green)

2011

Kicking the Notes the Toradze Way Narration (Emmy-winning WNET Public Broadcast documentary)

2006

Spectropia Voice of talking gun (feature film by Toni Dove)

2004

Alive in Limbo Narration (feature documentary film by Erica Marcus and Hrabba Gunnarsdottir)

1999

The Weather Underground Narration (feature documentary by Sam Green)

O Night Without Objects On-screen narration (documentary film by Jeanne Finley + John Muse)

1998

The Adventures of Blacky Narration (film by Jeanne Finley + John Muse)

 

TELEVISION

2003-2006

Spark! Series Narration (Weekly Arts Series on KQED TV, San Francisco)

1995-1996

San Francisco Arts: All Over the Map Narration (SF Art Commission/Hotel Tax Fund-sponsored tourist promo spots, San Francisco)

MISCELLANEOUS NARRATION

Contemporary Art Center of Virginia Narration for Magna Carta exhibition audio tour (Antenna Audio)

Eragon (video game) Vocal during dragon fight (Stormfront Audio)

Adobe Evolve Narration for Adobe software promo (eMotion Studios)

Adobe Youth Voices Narration for Adobe youth program promo (eMotion Studios)

Getty Museum Tours Narration for painting exhibition (Antenna Audio)

Sonoma County Wine Country Narration for Wine Country tour (Antenna Audio)

Steelcase Office furniture promotion (eMotion Studios)

HWB Hard Drives Narration for hard drive promotion (eMotion Studios)

Residencies

2023

MIT Visiting Artist Residency (in connection with the McDermott Award in the Arts)

2019-2020

The American Academy in Rome (Rome Prize Fellowship) Rome, Italy

2015

The American Composer’s Forum McKnight Visiting Composer Fellowship for a 2015 two-month residency in the Twin Cities

2012

McColl Center for Visual Art, three-month artist residency

2011

Montalvo Artist Center Lucas Artists Program two-month composer residency

2010

Djerassi Resident Artist Program, Woodside, CA, one-month composer residency

2001

Tryon (now McColl) Center for Visual Art for three-month artist residency

Harvestworks (NY) residency for recording and developing interactive performance technlology

2000

Dartmouth College, Visiting Artist Residency, Hanover, NH

California Arts Council Artist In Residence Program for 2000-2001 SoundWORK Workshops

1998

Japan-US Friendship Commission/NEA Fellowship for a 1999 six month residency in Tokyo

1997

The American Composer’s Forum McKnight Visiting Composer Fellowship for a 1998 two-month

residency in the Twin Cities

1994 – 1996

California Arts Council Artist in Residency Grant for Sound and Performance Workshops at The LAB

1994

Xerox PARC for PAIR (PARC Artist In Residence) Program, Palo Alto, CA

1993

Yellow Springs Institute, Chester Spgs. PA for a two-week artist residency with The Qube Chix

University of Nebraska, Omaha for The Qube Chix performance residency to develop Circle of Bone

1992

Yellow Springs Institute, Chester Springs, PA for a solo artist residency

1989

The Exploratorium Artist in Residency Program for the development of Pamela Z Plays the Exploratorium, Literally

 

Teaching Experience

COLLEGE COURSES AND SEMINARS

2013

San Francisco Art Institute, 3rd Street Campus, San Fransisco, CA: SoundWORK

2008

Centre College, Danville, KY “CentreTerm” visiting artist seminar in alternative composition techniques

2002

California College of the Arts, Oakland, CA, graduate fine arts seminar Sound, Performance, and Alternative Composition

San Francisco State University Department of Conceptual and Information Arts: Edge City sound, performance, and alternative composition course

2001

San Francisco State University Art Department, Experimental Music undergraduate seminar

1997-1998

San Francisco State University Multimedia Studies Department, Sound Art and Audio Production

1997

San Francisco State University Department of Conceptual and Information Arts, Sound,

Performance, and Alternative Composition

1993

California College of the Arts (CCA), Oakland, CA: The Extended Performer graduate seminar

 

WORKSHOPS

2012

Pamela Z Arts, San Francisco, CA SoundWork eight-week sound, performance, and alternative composition workshop

2009

Evergreen Valley College, San Jose, CA sound workshop for students and local residents

2008

Royce Gallery, San Francisco, SoundWork eight-week sound, performance, and alternative composition workshop

Intersection for the Arts, San Francisco, CA, SoundWork four-week sound, performance, and alternative composition workshop

2006

Das Arts, Amsterdam, The Netherlands, one-week visiting artist residency in collaboration with Vijay Iyer, Mike Ladd, and Ibrahim Qureshi

2001

Oroville State Theater, Oroville, CA, sound, performance, and alternative composition workshop

2000

McCallum Theater, Palm Desert, CA, sound workshop for students and local residents

1998

Interact Center, Minneapolis, MN, SoundWork eight-week sound, performance, and alternative composition workshop

1994-2008

Compasspoint Non-Profit Services, San Francisco, CA, technology workshops

1994-2002

Media Alliance, San Francisco, technology workshops

1994-2001

The LAB Gallery (through a CAC residency), San Francisco, multiple SoundWork eight-week sound, performance, and alternative composition workshops

1994

The Exploratorium, San Francisco: interactive sound workshops (participants of all ages)

1993 & 1996

Mountain View School System, Mountain View, CA: Music in Action performance/workshops in elementary schools

1993

The Clayton School, Denver, CO: vocal workshop with grammar school students in the “Visiting Artist” program

1991

MacAteer Performing Arts High School, San Francisco: workshop in alternative composition techniques

 

PUBLIC SCHOOLS

1980-1981

Denver Public Schools, Denver, CO: full-time Music Teacher (K-6)

1979-1980

Denver Public Schools, Boulder Valley School District, Jefferson County Schools (CO), substitute teaching, all subjects, K-12

 

GUEST LECTURES AND PANELS

2015

School of Visual Art, New York, Guest Lecture

NYU Music Department, New York, NY: visiting artist lecture

Pratt College, Brooklyn, New York, Guest Lecture

2014

School of Visual Art, New York, Guest Lecture

Pratt College, Brooklyn, New York, Guest Lecture

NYU Music Department, New York, Guest Lecture

2013

School of Visual Art, New York, Guest Lecture

2012

School of Visual Art, New York, Guest Lecture

NYU Music Department, New York, Guest Lecture

2011

School of Visual Art, New York, Guest Lecture

Pratt College, Brooklyn, New York, Guest Lecture

2010

CNMAT, Berkeley, CA: lecture in conjunction with the VoxTAP (Voice in Theory, Art, and Practice) working group

Pratt College, Brooklyn, New York, Guest Lecture

California Institute of the Arts (CALARTS): lecture in HyperOpera class

University of California, Irvine CA: lecture as part of the Gassmann Electronic Music Series

Cal State Long Beach, CA: lecture on multimedia performance and sound art

Orange County High School of the Arts, Santa Ana, CA: lecture for music students

California Institute of Integral Studios, San Francisco: lecture/demonstration

Mission Bay Conference Center at UCSF in San Francisco, CA: lecture on personalized use of MaxMSP in performance, Cycling 74’s Expo74

2009

University of Washington, Seattle, WA: lecture as part of the “Writing for their Lives” program

UCSC, Santa Cruz, CA: panel on Electronic Media and Diversity as part of ISIM Fourth Annual Conference

California State University Long Beach, CA: “Architecture of Sound” panel on the future of sound and emergent technology in design

Rensselaer Polytechnic Institute, Troy, NY: guest lecture for Pauline Oliveros’ Deep Listening class

California State University Chico, CA: lecture on sound and performance

Evergreen Valley College, San Jose, CA, lecture at ARTiculate Global Arts Festival

Mission Bay Conference Center at UCSF San Francisco, CA, lecture-demo as part of Cycling 74’s Expo74 at USA

2008

University of Colorado, Boulder, College of Music: commencement address

2007

Princeton University, Princeton, NJ Composition Colloquium Series

21 Grand Gallery, Oakland, CA: panel “This Music Defies Categorization”

Earlham College Carpenter Hall, Richmond, Indiana Artist and Lecture Series at Goddard Auditorium: lecture

2004

Lecture-demo, Brooklyn College Composers’ Forum and the Center for Computer Music Seminars at Brooklyn College Conservatory of Music – CUNY, Brooklyn, NY

Performance/Demonstration using MAX MSP and ProTools software in the auditorium at the SOHO Apple Store, NYC

Lecture-Demo, Chelsea Art Museum, New York. (ELECTRONIC MUSIC FOUNDATION’s Arts Electric Introductions Series)

Lecture/Demonstration at Powering Up/Powering Down, Center for Research in Computing and the Arts (CRCA), San Diego, CA

2003

Artist talk with Salah Hassan, Cheryl Finley, and Maria Magdalena Campos-Pons, the American Center Auditorium, Dakar, Senégal

2002

Panel discussion, Bay Area Women’s Symposium, San Francisco Performing Arts Library & Museum in San Francisco, CA

2001

Oberlin Conservatory, Oberlin, OH, Digital Media and Sound Art (lectures and individual student mentoring)

Talk as part of the Art and Technology Festival, The Juilliard School , New York, NY

Lecture/Demo, San Francisco State University Art Department, San Francisco, CA

Lecture/Demo, Charles Boone’s Sound Art class, The San Francisco Art Institute, San Francisco, CA

Presentation at Human Voice/Computer Vox Conference, Banff New Media Institute, Alberta, Canada

Lecture/Demo, The Juilliard School, New York, NY

2000

Shared Talk with Akio Suzuki, SoundCulture ’99, Auckland Art Gallery Auditorium, Auckland, New Zealand

Panel presented by BurningArt, CellSpace, San Francisco

1999

Lecture/demo (with Japanese Translation by Christopher Blasdel), International House, Tokyo

1998

California Institute of the Arts (CalArts), Valencia, CA, visiting guest lecturer and individual student mentoring

 

BIBLIOGRAPHY

Books

Robert Raines Composition in the Digital World “Pamela Z” ISBN 978-0-19-935703-1, Oxford University Press, New York, NY, pages 306-316, 2015

Renate da Rin and Willima Parker Giving Birth to Sound: Women in Creative Music Buddy’s Knife, Berlin, Germany. ISBN 978-3-00-0049279-2

Jennifer Kelly In Her Own Words: Converstions with Composers in the United States University of Illinois Press, Urbana, Chicago, and Springfield. ISBN 978-0-252-03759-7. pp. 210–227.

Charles Hiroshi Garret, ed The Grove Dictionary of American Music (Pamela Z). Oxford University Press. ISBN 9780195314281.

Tara Rodgers Pink Noises: Women on Electronic Music and Sound Pamela Z, Language, Machines, Embodiment Duke University Press Books, ISBN 0822346737.

Cathy Lane Playing with Words, The spoken word in artistic practice “Pamela Z interview” ISBN 978 0 955 8273 3 4 CRISAP, RGAP Distributed in the U.K. and Europe by Cornerhouse Publications, pages 34-36, 2008

David Rothenberg Why Birds Sing Basic Books. ISBN 0-465-07135-X. pp. 203–204

Herman S. Gray Cultural Moves: African Americans and the Politics of Representation American Crossroads, ISBN-10: 0520241444, 2004

Pamela Z Women in New Media “A Tool is Tool”, edited by Judy Malloy, MIT Press, Cambridge MA/London England, 2003

Dmitry Bulatov Homo Sonorus “Pamela Z, USA”, An International Anthology of Sound Poetry, The National Center for Contemporary Art (Kaliningrad Branch, Russia) 2001

Michael Black, David Levy, and Pamela Z Art and Innovation “Artscience Sciencart”, edited by Craig Harris, The MIT Press, Cambridge, MA/London, England, page 210-247, 1999

Irene Borger The Force of Curiousity “Pamela Z Interview: June 28, 1998”, Published by California Institute of the Arts and the Alpert Award, page 299-323, 1999

Kyle Gann American Music in the Twentieth Century “Pamela Z”, ISBN-10: 002864655X, Schirmer Books, page 383, 1997

 

JOURNALS

George Lewis The Virtual Discourses of Pamela Z Journal of the Society for American Music Cambridge University Press, Cambridge MA, Volume 1, Number 1, pages 57-77, February 2007

Francis-Marie Uitti Pamela Z Contemporary Music Review: IMPROVISATION Routledge (Taylor & Francis), Edinburgh, pages 587-589, Vol. 25, Nos 5/6, October/December 2006

Stephen Wilson Gesture: Pamela Z Information Arts: Intersections of Art, Science, and Technology The MIT Press, Cambridge MA/ London, England, pages 745-746, 2002, 1st edition November 30, 2001

Tom Sellar Parts of Speech, Pamela Z interviewed Theater Volume 30, Number 2, page 59, Spring 2000

 

MAGAZINES

George Lewis Pamela Z, Baggage Allowance ART FORUM December 2014

Brian Morton Pamela Z, A Delay is Better The Wire May 2005

Alicia Zuckermaan Pamela Z New York Magazine November 1, 2004

Pamela Z: Voci The New Yorker November 1, 2004

Pamela Z Audible Image/Visible Sound: Donald Swearingen’s Living Off The List 21st Century Music Vol 8, No. 1, January 2001

Kathy Kennedy A few facets of Pamela Z Musicworks Number 76, page 5, Spring 2000

Pamela Z Talking Music at Davies Hall: American Mavericks/Maveric Icons 21st Century Music Vol. 7 No. 8, August 2000

Julainne Sumich Sound Culture ’99 Footnotes in Folie FX and Eliptical Fields Art New Zealand Number 91, Winter 1999

John Weber, Curator of Education & Public Programs SFMOMA Witness Pamela Z WEST a publication of the San Francisco Art Institute, page 9, Winter 1996/97

Bean Tech Electronic Musician (article on Pamela Z’s use of interactive controllers), September 1997

Charles Boone 3 Vanguard Composers in San Francisco P Form #33, page 21, Fall 1994

David Morgenstern Mac Performance Art MicroTimes June 28, 1993

Pamela Z Brian Eno: Ambiguity, Yams, & Ju-Ju Spacejazz Mondo 2000 Issue No. 4, pages 114-119, 1991

Jas Morgan & Sarah Drew Pamela Z Mondo 2000 Issue No. 4, page 98, 1991

Regina Joseph Pamela Z Ear Magazine Volume 14 Number 9, 1989

 

PROFESSIONAL ASSOCIATIONS

2023

Inducted into the American Academy of Arts and Letters

2009-2016

Harvestworks Digital Media Center, Board

2006-Present

Pamela Z Arts ROOM Series, Presenter, Curator, Producer

2003-2009

American Music Center, Board Member

2000-2002

Theater Artaud, Board Member

1999-Present

San Francisco Electronic Music Festival , Co-Founder (1999), Steering Committee/Curatorial

Committee (1999-Present)

1997-Present

ASCAP, Member

1997-2003

The LAB Gallery, Board Member

1996-1999

Djerassi Resident Artist Program, Board Member

1987-Present

Pamela Z Arts: Z Programs, Presenter, Curator, Producer